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Training
the Trainers: A Survival Guide
HOW
TO TRAIN EDITORS WHO DESIGN
By
RON REASON
PART I: INTRODUCTION
Ever wonder why it's so hard to train and sometimes communicate
with editors who design newspaper pages? Could it be, perhaps,
that designers, art directors, and editors often speak different
languages, and were trained to think, work and interact
differently?
To
begin this conversation, let's assume ...
- That
"training" encompasses coaching/critiquing/ mentoring/teaching,
and "trainer" is the person who performs those duties,
whether he holds the title of art director, design editor,
news editor, AME, or whatever.
-
That "copy editor" also refers to news editors, paginators,
or other job roles that involve both editing and layout
of the newspaper, for either news or features sections.
- That
everyone's work in the newspaper deserves to have a "second
eye." Just as the City Hall reporter's work is edited
by the city editor, so should all open display layouts
be reviewed by a supervisor before publication. This person
may vary in each newsroom. In some newsrooms this may
be the copy chief, but in others it may be the art director.
- That
trainers who were formally educated in the graphic arts
may naturally speak a different language than copy editors,
who likely have studied journalism or liberal arts.
- That
trainers who were formally educated in journalism may
lack the sufficient graphic design knowledge (or vocabulary)
to articulate why a design "works," or doesn't.
- That
few newsrooms are adequately equipped, through staffing,
expertise, structure or process, to provide adequate training
of the design skills of copy editors.
- That
the inadequacy of training is more apparent at newspapers
where copy editors have more freedom in design, and more
leeway to interpret design rules; i.e., papers where copy
editors do most of the display features design, create
"art heads," etc.
- That
honesty is a critical element of the training dialogue:
honesty about what's important to portray visually in
the paper and about what's important to the career development
of the copy editor.

Ron
Reason is assistant managing
editor/ design and photography at the Chicago Sun-Times
and formerly the director of visual journalism at The
Poynter Institute. For more information, or for questions
relating to design, visit his website.
This tip was adapted from materials presented at the Poynter
Institute's Visual Leadership Issues Conference, March 26-29,
2000.
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